Download Stop-Time: A Memoir, by Frank Conroy
Download Stop-Time: A Memoir, by Frank Conroy
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Stop-Time: A Memoir, by Frank Conroy
Download Stop-Time: A Memoir, by Frank Conroy
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About the Author
Frank Conroy was born in 1936 and graduated from Haverford College in 1958. He was director of the prestigious Writers' Workshop. Conroy wrote an autobiography Stop-Time, published in 1967, and his collection of stories, Midair, was published in 1985. His work has appeared in the New Yorker, Esquire, GQ, Harper’s Magazine, and Partisan Review.
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Product details
Paperback: 283 pages
Publisher: Penguin Books; Reissue edition (February 24, 1977)
Language: English
ISBN-10: 0140044469
ISBN-13: 978-0140044461
Product Dimensions:
5.1 x 0.7 x 7.7 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
41 customer reviews
Amazon Best Sellers Rank:
#53,115 in Books (See Top 100 in Books)
One of the best memoirs I've ever read. Conroy captured the dialect and attitude of his childhood familiars and brought his memories alive with dialogue. Superbly written, it reads like the best fiction.
Conroy's memoir is more a story of coming-of-age than a tale based around a singular event (such as in a trauma memoir) or a tale of an extraordinary life lived. There is no genuine plot. Whereas in memoirs such as Bauby's "The Diving Bell and the Butterfly" we knew we were reading about a man living in a paralyzed, locked-in state and Harrison's "The Kiss" we knew the narrator was dealing with overcoming an incestual relationship, never was there a similar sense of a central plot in Conroy's memoir. It was purely a story of growing up. Perhaps that is why opinion is so divided on "Stop-Time"; Conroy's life, while it does have its sad and good and interesting parts, is mostly unremarkable. Everyone's life, when reminisced on with comparable clarity, has such parts of scintillating interest and deep tragedy. It is then Conroy's skill at writing that gives such merit to the memoir. And yet, while good writing can be admired, it comes down to personal taste over whether "Stop-Time" becomes a boring chore or like the fascinating stories of a grandfather.And while lovely from the standpoint of his wordsmithing, Conroy's memoir lacks a chronological timeline. We sometimes jump forward, then back, or have no frame of time at all and remain uncertain at what age Conroy is during a particular vignette. In the end, we see time speeding up, no longer does Conroy give us the slow pace he provided during the maturing of adolescence. We are suddenly with him at sea, then in an international high school, then finally in "Unambiguous Events" where we discover his sister Alison has succumbed to a similar madness of their father before Conroy leaves for college and then, finally, we see Conroy himself engaging in the suicidal madness of crashing his car into a fountain. As a reader, it's continually uncertain where we will be going next and rather than drawing me in, the effect resulting was a distance from the narrator.What is particularly admirable is the way in which Conroy seem to present event rather than sentimentalizing or overanalyzing it (although he is apt to adult reflections, and the memoir never feels written through a child's eye in the way, say, Jeannette Walls accomplishes in "The Glass Castle"). Never does he write that he recognized his actions with women were due to a difficulty in processing emotions such as love (for so rarely had we ever seen it given to him). The scene with Conroy laying with the dogs in one chapter was particularly notable for this lack of psychological analyzation; Conroy lays with the dogs, "whispering to them, holding them against [him]." He never has to tell us what an intensely sad or lonely childhood he had, as by that chapter alone we can experience it all too well.Overall, by the fractured use of time and fleeting characters, "Stop-Time" is an interesting but confusing memoir, leaving plenty of questions in the end. It's worth the read.
Stop-Time is a wonderful example of good memoir writing. For me it was a page turner I devoured in a couple of days. It took me some time to disengage from it once I reached the end.
Enjoyable read with humor and heart felt honesty.
Timeless and useful. Profound in its message.
A fast, gripping read that leaves you with fresh awe and admiration for the gumption it takes for all of us to grow up, and forgive.
Entertaining, embues a sense of nostalgic freedom. Conroy's optimistic nhilism in the face of the ambiguity of life is comforting, reassuring and, at times, hilarious.
The details are unimportant, but it took me some doing to get this book: I couldn't find it used, there were problems when I did get a copy, etc. But finally I got a decent copy and read it, something I had been jonesin' to do after having repeatedly heard it referred to in reverential tones as an extraordinarily evocative and powerful autobiography, or at least memoir of one's youth.While I do think it's worth reading, I don't think it's all that.The main problem for me was that nothing much seemed to happen to Mr. Conroy when he was a child: it was a fairly standard and unremarkable time. It's not like he got in any particularly strange adventures or had kooky things happen to him. He basically grew up with a lower-class family in Florida, moved around a lot, and had a couple of dads.Which leaves Conroy with nothing but his eloquence, which is formidable. Here's a sample:"A perpendicular column of blue light descended from the sky to the parking field, striking the earth behind a screen of silhouetted automobiles, spreading a pool of white radiance, a vague open-topped dome of light in the air above us. Insects drifted through like snowflakes, disappearing at the perimeter." (p. 89)Wow. What a writer. Passages like that are frequently met with, but the tone of the whole is uneven. Conroy seems to substitute SOMETHING INTERESTING HAPPENING with a dreamy tone of nostalgia and sadness, but can't keep it up. After a few pages you snap out of it and realize that nothing very interesting is happening, and that breaks the spell.That said, it does occasionally rise to the heights of prose mastery.
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